Yohann Hubert et Carlotta Lagazzi

Accademia di Architettura di Mendrisio TU Delft
ENSA Lyon, UdeMontreal, ENSA Paris La Villette
IG @c_lgz @feu_maison

Carlotta Lagazzi is an Italian architect based in Brussels since 2023. She develops a practice centred on reuse and bio-based materials, invoking matter as a lever for transformation and accountability. A graduate of the Accademia di Architettura di Mendrisio (Swiss) and then TU Delft (Netherlands), she has lived and worked successively between Milan, Berlin, London and Paris, collaborating with various architecture and design practices such as Sergison Bates Architects and BC architects. In 2026 she co-founds Common Wonder. A professional skipper and sailing instructor, she also spent a year sailing solo aboard a sailing vessel in the Mediterranean. It was during this period that she co-founded and led The Cleaner Shrimp Project, dedicated to raising awareness against marine pollution in the world of pleasure boating in the Mediterranean.

Yohann Hubert (born in Nîmes in 1994) is an architect graduated from ENSA Lyon (2018). He trained in interior design and workshop practice at Ciguë studio, whilst pursuing a postgraduate degree in Architecture & Philosophy at ENSA Paris-La Villette. Based in Brussels since 2020, he collaborates with BC architects & studies on pilot projects for the use of bio- and geo-sourced materials, notably in the Arles region. In 2024, he founded Feu Maison, a collaborative practice dedicated to exploring post-growth aesthetics, at the intersection of theoretical research, architectural design and craftsmanship. That same year, he was finalist in the K37 competition for Kanal - Centre Pompidou in Brussels.Since 2019, Yohann has taught at several architecture schools where he develops a Socratic and experiential approach, notably at ENSA Lyon and ENSA Marne-la-Vallée within the postgraduate programme Architecture of Planetary Boundaries (APB).

Overflowed
Starting from the observation that waste in pleasure boating is too often overlooked, the installation stages a resting space for sailors on land, watching the sea from this stationary “liner”: the villa Noailles, designed by Mallet Stevens.Overflowed echoes Franco Cassano’s meridian thinking, which counters speed and accumulation with a culture of measure, slowness and autonomy ; values equally central to the imaginary and the practices of Mediterranean navigation.

Made from wrecks and abandoned boat parts, it enacts a symbolic displacement: these fragments take to the sea once more, no longer on salt water, but on oneiric, imaginary and affective flows. Like sailors, they carry within them the memory of departure, waiting and the horizon. A hull, a reimagined daybed, floats above the ground and allows one to lie down and contemplate the ceiling, where a luminous scale chandelier unfolds. Organised around a mast section, it spreads like a great indoor kite. Its vanes, held taut by ropes, secure it to the walls and ensure its seemingly precarious stability. The object seems held in a fragile equilibrium, oscillating between anchorage and drift.

Assembly and handling techniques borrow directly from nautical vocabulary: knots, fittings, tensioning and securing systems, textures and technical textiles. These devices evoke navigation without locking it into literal representation. The machine is transformed: identifiable in its origin, yet open in its destination.

WITH THE SUPPORT OF :
ATELIER AKAL - ANIS SAOUDI
MARYLIS TRÂN THÊ TRI
LA VOILERIE DES ÎLES
MIMOSAILS
LEEM / BC MATERIALS
C.V.B.M CENTRE MUNICIPAL
DE VOILE DE TOULON
LA TRIBU MARITIME - RESSOURCERIE NAUTIQUE
FRANCK DEMUN FERRONERIE
CLUB DE VOILE DE BORMES LES MIMOSAS
LAPSO CRÉATIONS
TIMOTHÉE RAVIOL
GRÉGOIRE CHAUVET
WBI

INVITED ARTISTS :
MARIANNA LADREYT
JOSÉPHINE ZITTA