Atelier François Pouenat Reconstitution contemporaine d’après la porte d’entrée du Clos Saint-Bernard réalisée par Claudius Linossier vers 1926 - 1927

In the 1920s, the Lyon-based coppersmith, goldsmith, and sculptor Claudius
Linossier helped renew the metal arts by adopting a geometric and abstract
visual language, breaking away from the flowing curves of Art Nouveau. His
experiments with acids and his “fire patina” technique also enabled him to
develop new and subtle colour variations.

Around 1926 – 1927, he collaborated with Robert Mallet-Stevens on the
design of the entrance door of the villa Noailles. The result of numerous
exchanges between the architect, the artist, and Charles de Noailles, this
abstract composition combines metal plates of different materials and colours.
South-facing, it creates a striking decorative effect through the interplay of
sunlight and reflections on the metallic surfaces.

Drawing on a legacy of five generations of artistic ironwork, the Atelier François
Pouenat has been a long-standing partner of the Design Parade Festival.
Committed to supporting a new generation of designers through the
transmission and sharing of its craftsmanship. Recognised with the Entreprise
du Patrimoine Vivant (Living Heritage Company) label, the workshop also brings
its exceptional technical expertise at the service of heritage conservation and
restoration.